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Sarah McNulty has been working on a new series of large-scale tufted works for an upcoming exhibition, Crawl. During her residency at SVFK she has been experimenting with transposing painterly gestures and forms into floor-based works.
In Loach Water, Zishi Han and Wei Yang revisit the Ming Dynasty story Qingzhen ji (A Story of Faithful Love) through a contemporary lens, exploring themes of intimacy, power, and time. This movement between frame and reality becomes a quiet rupture, revealing the work not… Læs mere